Leni Riefenstahl is considered one of the most controversial women of the 20th century as an artist and a Nazi propagandist. Her films TRIUMPH OF THE WILL and OLYMPIA stand for perfectly staged body worship and the celebration of the superior and victorious. At the same time, these images project contempt for the imperfect and weak. Riefenstahl's aesthetics are more present than ever today - but is that also true for their implied message? The film examines this question using documents from Riefenstahl's estate, including private films, photos, recordings and letters. It uncovers fragments of her biography and places them in an extended historical context. How could Riefenstahl become the Reich's preeminent filmmaker and keep denying any closer ties to Hitler and Goebbels? During her long life after the fall of Nazism, she remained unapologetic, managing to control and shape her legacy. In personal documents, she mourns her "murdered ideals". Riefenstahl represents many postwar Germans who, in letters and recorded telephone calls from her estate, dream of an organizing hand that will finally clean up the "shit-hole state". Then, her work would also experience a renaissance, in a generation or two this time could come - what if they are right?

A brother and sister uncover a terrifying ritual at the secluded home of their new foster mother.

Follows Elvira as she battles against her gorgeous stepsister in a realm where beauty reigns supreme. She resorts to extreme measures to captivate the prince, amidst a ruthless competition for physical perfection.

Dark tale of espionage following a strained father-daughter relationship within a family business. Twists revolve around betrayal and morally gray choices.

Three women in a Marseille apartment gets stuck in a heat wave. They find themselves trapped in a terrifying affair and longing for freedom.

At a dinner party in Vesturbær, seven friends decide to play a dangerous game. They put their phones on the table and agree that all incoming calls and messages will be shared with the party to prove that none of them have anything to hide

When Zephyr, a savvy and free-spirited surfer, is abducted by a shark-obsessed serial killer and held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below.

This is a Walt Disney Animation Studios’ computer-animated musical comedy. The songs are created by Kristen Anderson-Lopez and Robert Lopez, who are also the authors of the music for “Frozen”, which brought them the Academy Award for Best Original Song. Based on the popular English tale “Jack and the Beanstalk”, this movie is set in Spain during the Age of Exploration. The story follows Jack, who discovers a fantastic world of giants living hidden within clouds. The brave boy befriends the female giant Inma. She is quite a girl, being "11 years old, 60 feet tall, fiery, feisty and a lot to control". An unusual friendship that leads to exciting adventures and a lot of fun.

A Formula One driver comes out of retirement to mentor and team with a younger driver.

it is 1862 and two people are about to change history with their discoveries. Amelia Wren ((Felicity Jones) is a young widow with lots of money and young scientist James Glaisher (Eddie Redmayne) has a vision about how to predict weather conditions. Although no other scientist takes Glaisher seriously, he finally finds an ally in the face of Amelia. Together, they use a hot air balloon with a very ambitious goal - to fly to the highest highs no human being has reached before. There, at the edge of physical existence, Amelia and James make surmising discoveries about themselves and about their purpose in science of climate. “The Aeronauts” story is based on a flight performed on the September 5, 1862, by the British aeronauts James Glaisher and Henry Coxwell. They managed to reach an altitude of about 11,887 m (38,999 ft) with their balloon, with which broke the world flight altitude record at that time.